Boaz Yakin is typically seen as a work-for-hire writer and director. It's not his fault, he's just a good writer with bills to pay, so he takes a lot of sub-par studio projects that don't really offer him anything interesting to do in the script. So it's weird that a movie like Fresh comes from someone with a track record for mediocrity, but Fresh really is one of the all time must see movie downloads.
This movie came after Boaz Yakin's self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.
Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he's been spending it on comic books and candy bars. What exactly is he saving it for? Well, you'll find out, and you'll be honestly shocked and surprised at exactly how deep his plans really go.
Each week, Fresh spends one afternoon playing chess with his father who offers him guidance and a moment to reflect upon what's going on in his life. These are sort of the Greek chorus scenes of the film, allowing both Fresh and the audience to consider what has happened before and where the movie is going to go from here. The chess also serves as a metaphor for what Fresh is doing while on the clock.
When two of Fresh's friends are murdered by one of the street dealers he works with, and at the same time, his mother informs him that she's going to have to give a couple of them up for adoption, Fresh puts a brilliant scheme into motion.
Fresh's scheme to take the badguys down is really incredible, serving as a fascinating parallel to the chess games he plays with his father. The master stroke of his plan is that none of his opponents suspect him of a thing, as he is, after all, just a kid. He essentially manages to play dumb and innocent, while in fact outsmarting everyone around him.
The movie can be brutally violent and shocking, which drives home the reality of Fresh's situation. The villains are truly menacing, especially the young thug who typically gives Fresh his payments and is in a perpetual state of planning to kill somebody. Fresh is a hero who manages to remain pure, knowing where he can compromise and where he cannot.
It's a rare film that works this well with such touchy subject material. The film takes a child of ten years old and puts him into a Fistful of Dollars/Yojimbo style plot, scheming and plotting his way to victory over deadly, menacing criminals. It's incredible how delicate an operation this is, to make the movie exciting and suspenseful without selling short the reality and truth of the subject matter of real life street violence.
This movie came after Boaz Yakin's self imposed exile. At a certain point, he became disillusioned with the film industry and declared that he would be taking a hiatus from writing, at least until he felt he had something important to say. The result was a movie that truly does make a powerful statement.
Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he's been spending it on comic books and candy bars. What exactly is he saving it for? Well, you'll find out, and you'll be honestly shocked and surprised at exactly how deep his plans really go.
Each week, Fresh spends one afternoon playing chess with his father who offers him guidance and a moment to reflect upon what's going on in his life. These are sort of the Greek chorus scenes of the film, allowing both Fresh and the audience to consider what has happened before and where the movie is going to go from here. The chess also serves as a metaphor for what Fresh is doing while on the clock.
When two of Fresh's friends are murdered by one of the street dealers he works with, and at the same time, his mother informs him that she's going to have to give a couple of them up for adoption, Fresh puts a brilliant scheme into motion.
Fresh's scheme to take the badguys down is really incredible, serving as a fascinating parallel to the chess games he plays with his father. The master stroke of his plan is that none of his opponents suspect him of a thing, as he is, after all, just a kid. He essentially manages to play dumb and innocent, while in fact outsmarting everyone around him.
The movie can be brutally violent and shocking, which drives home the reality of Fresh's situation. The villains are truly menacing, especially the young thug who typically gives Fresh his payments and is in a perpetual state of planning to kill somebody. Fresh is a hero who manages to remain pure, knowing where he can compromise and where he cannot.
It's a rare film that works this well with such touchy subject material. The film takes a child of ten years old and puts him into a Fistful of Dollars/Yojimbo style plot, scheming and plotting his way to victory over deadly, menacing criminals. It's incredible how delicate an operation this is, to make the movie exciting and suspenseful without selling short the reality and truth of the subject matter of real life street violence.
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